Joel Ross

Joel Ross has amassed a dedicated following by creating music you have to lean into. That doesn’t make it any less palatable, but across the vibraphonist’s recorded output — 2019’s KingMaker, 2020’s Who Are You?, and 2022’s The Parable of the Poet — the compositions were somewhat complex, and ushered the virtuosity of his band’s live performance to a studio setting. For nublues, his remarkable fourth release as a leader for Blue Note, Ross challenged himself to create an album with a greater degree of accessibility — still intricate and adventurous, but with a strong emphasis on melody, ballads, and the blues. On purpose, nublues feels familiar, like you’ve already heard these songs in Greenwich Village somewhere. Though there are covers on this LP (John Coltrane’s “equinox” and “central park west”;Thelonious Monk’s “evidence”), this collection of newly written material exemplifies the bandleader’s evolution.

‍On January 30,he will release his 5th Blue Note album Gospel Music, asonic interpretation of the biblical story and an exploration of his faith thatdelivers a message of hope and love. The album is introduced today with thelead track “Wisdom IsEternal (For Barry Harris)” and features an expanded sextet line-up ofRoss’ band Good Vibes with Josh Johnson on alto saxophone, MariaGrand on tenor saxophone, Jeremy Corren on piano, KanoaMendenhall on bass, and Jeremy Dutton on drums.

Gospel Musicrevisits the intricacy of the vibraphonist’s earlier records and the directnessand accessibility of the later, producing a sound that is unmistakably JoelRoss while reintroducing himself and the good news simultaneously. It isreleased in a moment where he has been deepening his study and exploration intothe theological and historical depths of his faith over the last several years.Returning to some of his older unreleased compositions and seeing them in lightof new experiences, he has created an album which reveals more of his person.“This is probably the boldest example of trying to share what I believe is thegood news as well as in homage to where I'm coming from,” he explains.

Ross has topped the DownBeat Critics Poll Rising Star category for vibraphone —graduating beyond the Rising Star to well-honed artist in 2021 — as well as theJazz Journalists Association Critics Poll for Mallet Instrumentalist of the Year in 2020 and 2021. He recently became one of the youngest artists to earn a coveted Residency Commission from The Jazz Gallery and a spot in The Jazz Gallery All Stars band through which he performed live at The Kennedy Center. In 2020, he received a Jazz Coalition Commission for Praise in the Midst ofThe Storm, a performance suite featuring Brandee Younger, Marquis Hill, Craig Weinrib, Dezron Douglas and longtime friend and collaborator Immanuel Wilkins, with whom he recently performed a three-night duo program live at The Village Vanguard as part of the storied venue’s streaming series. In 2021, Ross enjoyed a residency at Roulette Intermedium for Jazzfest Berlin, premieringoriginal work She Walks in the Spirit alongside Gabrielle Garo, Brandee Younger, Mimi Jones, Savannah Harris and Nappy Nina, and 4nette alongside Immanuel Wilkins, Thomas Morgan and Craig Weinrib, in January and May, respectively. He has performed multiple residencies at Baby’s All Right in Brooklyn.

Folkloric resonance incubates Ross’ artistry. Improvising melodies or composing at the piano, he leaves space for a theme to emerge and evolve, always inviting creative response. Nimble, virtuosic lines approximate speech. He often transitions among the roles of storyteller, protagonist and supporting character. Inspired by mentor Stefon Harris’ empathetic, whole-self approach to articulation, Ross has adopted an entire ethos dependent on truthful, ongoing communication. Honesty persists throughout his sets. And with each release, here affirms a commitment to authentic discourse.

A new albumis currently in the works and is scheduled for release in January 2026 on BlueNote.

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